008151209s2016 nyu ob 001 0 eng d
■001ocn931877183
■003OCoLC
■00520180104061644.4
■006m o d
■007cr cnu---unuuu
■040 ▼aN$T▼beng▼erda▼epn▼cN$T▼dOCLCO▼dYDXCP▼dIDEBK▼dOCLCQ▼dBLOOM▼dOTZ▼dOCLCQ▼dCNCGM
■019 ▼a959590929▼a964291111
■020 ▼a9781501307065▼q(electronic bk.)
■020 ▼a1501307061▼q(electronic bk.)
■020 ▼z9781501307041
■020 ▼z1501307045
■020 ▼z9781501307034
■020 ▼z1501307037
■0291 ▼aAU@▼b000058376284
■035 ▼a(OCoLC)931877183▼z(OCoLC)959590929▼z(OCoLC)964291111
■050 4▼aML3918.P67▼bD35 2016eb
■072 7▼aMUS▼x041000▼2bisacsh
■08204▼a781.6409/051▼223
■049 ▼aMAIN
■1001 ▼aDale, Pete▼eauthor.
■24510▼aPopular music and the politics of novelty▼dPete Dale
■264 1▼aNew York▼bBloomsbury Academic▼c2016.
■300 ▼a1 online resource
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aAnd all that -- If you don't care to remember "the sixties," you probably weren't there -- 1977, year zero (ish) -- The postmodern turn, turn, turn -- Badiou and the popular event -- What's left for the future of pop?
■5880 ▼aPrint version record.
■590 ▼aeBooks on EBSCOhost▼bAll EBSCO eBooks
■650 0▼aPopular music▼xPolitical aspects
■650 0▼aPopular music▼xSocial aspects
■650 0▼aPopular music▼xHistory and criticism
■650 7▼aMUSIC▼xInstruction & Study▼xTheory.▼2bisacsh
■650 7▼aPopular music.▼2fast▼0(OCoLC)fst01071422
■650 7▼aPopular music▼xPolitical aspects.▼2fast▼0(OCoLC)fst01071452
■650 7▼aPopular music▼xSocial aspects.▼2fast▼0(OCoLC)fst01071460
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■77608▼iPrint version▼aDale, Pete.▼tPopular music and the politics of novelty▼z9781501307041▼w(DLC) 2015028311▼w(OCoLC)908262356
■85640▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1107381
■938 ▼aBloomsbury Publishing▼bBLOO▼nbpp09260290
■938 ▼aEBSCOhost▼bEBSC▼n1107381
■938 ▼aProQuest MyiLibrary Digital eBook Collection▼bIDEB▼ncis33365752
■938 ▼aYBP Library Services▼bYANK▼n12692173