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Tsui Hark's Peking opera blues
Tsui Hark's Peking opera blues / Tan See Kam
Contents Info
Tsui Hark's Peking opera blues
Material Type  
 전자책
 
n957126937
Date and Time of Latest Transaction  
20180104063037.7
ISBN  
9789888313518 (electronic bk.)
ISBN  
9888313517 (electronic bk.)
ISBN  
9888208853
ISBN  
9789888208852
ISBN  
9789888208869
ISBN  
9888208861
LC Callnumber  
PN1997.P4523-S44 2016
DDC  
791.43/72-23
소장사항  
MAIN
Author  
See Kam, Tan , 1958-
Title/Author  
Tsui Harks Peking opera blues / Tan See Kam
Publish Info  
Hong Kong : Hong Kong University Press, ©2016
Material Info  
1 online resource (248 pages).
총서명  
The New Hong Kong cinema series
서지주기  
Includes bibliographical references and filmography.
Formatted Contents Note  
완전내용Introduction : setting the scene -- Act 1. Story and structure -- Act 2. Warlords, history, and the democratic dream -- Act 3. Shanghai and Peking blues : fiction as imagined history -- Act 4. The shadowplay of attractions and painted faces -- Act 5. Three-women fiction, mandarin ducks and butterflies -- Postscript.
Abstracts/Etc  
요약Part historical drama, part thriller, and part comedy, Tsui Hark's Peking Opera Blues (1986) invites--if not demands--examinations from multiple perspectives. Tan See Kam rises to the challenge in this study by first situating Tsui in a Sinophone context. The diasporic director explores different dimensions of "Chineseness" in the film by depicting competing versions of Chinese nationalism and presenting characters speaking two Chinese languages, Cantonese and Mandarin. In the process he compels viewers to recognize the multiplicities of the Chinese identity and rethink what constitutes cultural Chineseness. The challenge to a single definition of "Chinese" is also embodied by the playful pastiches of diverse materials. In a series of intertextual readings, Tan reveals the full complexity of Peking Opera Blues by placing it at the center of a web of texts consisting of Tsui's earlier film Shanghai Blues (1984), Hong Kong's Mandarin Canto-pop songs, the "three-women" films in Chinese-language cinemas, and of course, traditional Peking opera, whose role-types, makeup, and dress code enrich the meaning of the film. In Tan's portrayal, Tsui Hark is a filmmaker who makes masterly use of postmodernist techniques to address postcolonial concerns. More than a quarter of a century after its release, Tan shows, Peking Opera Blues still reverberates in the present time.
Subject Added Entry-Personal Name  
Tsui, Hark , 1951- ; Peking opera blues.
Subject Added Entry-Topical Term  
PERFORMING ARTS Reference.
Additional Physical Form Entry  
Print versionSee Kam, Tan, 1958- Tsui Hark's Peking opera blues. Hong Kong : Hong Kong University Press, [2016] 9888208853 (OCoLC)946160181
Series Added Entry-Uniform Title  
New Hong Kong cinema.
Electronic Location and Access  
 링크정보보기
Control Number  
yscl:139488
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